{"id":1303,"date":"2024-02-28T18:03:35","date_gmt":"2024-02-28T17:03:35","guid":{"rendered":"https:\/\/www.fabiomarconi.eu\/?page_id=1303"},"modified":"2025-04-11T13:05:11","modified_gmt":"2025-04-11T11:05:11","slug":"other-projects","status":"publish","type":"page","link":"https:\/\/www.fabiomarconi.eu\/en\/projects\/other-projects\/","title":{"rendered":"OTHER PROJECTS"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ back_color=”color-731832″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”158419″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”138412″][vc_custom_heading text_color=”color-xsdn” heading_semantic=”h1″ text_size=”h1″ uncode_shortcode_id=”465280″ text_color_type=”uncode-palette”]<\/p>\n

OTHER PROJECTS<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”154705″ row_name=”nina-madu”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”109106″ subheading=”A band specialized in surreal and demented songs”]<\/p>\n

NINA MAD\u00d9 E LE RELIQUIE COMMESTIBILI<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”460866″]Nina Madu sings about her city.
\nThe terribly elegant Edible Relics take their places.
\nFrom the instruments their sinister sounds begin to pour forth.
\nAs if peeping out of some subway grating, glittering wonderful and horrifying at the same time, Nina Mad\u00f9 peeps out.\u2028She makes her way into the rarefied atmosphere created by the music and her presence brings with it something enigmatic.\u2028She approaches the microphone and through her voice begins her urban tale.
\nThe protagonists and places of this tale are the Man with the Carry-on, met on the streetcar in Coni Zugna, the Straight Couple striding laboriously on the cobblestones of the Ripa, a Sushi – All you can eat where someone insistently asks for fried ice cream, the Mummy with the trolley in the Esselunga parking lot, the Children with Dark Circles at the 92 stop who shake you with their earbuds, the Raw Chef converted to cannibalism, the Cathedral Department Store and pilgrimage destination where they spray a persuasive perfume titled Killer Attitude on you.
\nNina Mad\u00f9, who is an urban jaguar and pricks the asphalt skin of her city with the toes of her stiletto boots, utters every word in her vocabulary to sing this multifaceted portrait.
\nThe faithful Relics follow this incessant flow and continually metabolize new styles to re-vomit them by molding themselves to the narrative.
\nPerhaps some disquiet takes root.
\nNina Mad\u00f9 has fulfilled her task and disappears into the shadows of some alley[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”119015″ el_class=”info”]<\/p>\n

CAMILLA BARBARITO<\/h3>\n

lyrics<\/p>\n

NINA MAD\u00d9<\/h3>\n

voice<\/p>\n

IL BULLO PSICOLOGICO<\/h3>\n

drums \/ synth<\/p>\n

L’ABBIETTO INFAME<\/h3>\n

guitar<\/p>\n

Mr. DRIVE UNGHIE-SULLA-LAVAGNA<\/h3>\n

synt<\/p>\n

Chamber version:<\/em><\/h3>\n

ELOISA MANERA<\/h3>\n

violin<\/p>\n

CARLO NICITA<\/h3>\n

flute<\/p>\n

MARCO REMONDINI<\/h3>\n

cello[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”646084″][vc_column width=”1\/1″][vc_gallery el_id=”gallery-147070″ type=”carousel” medias=”685,687,683,681,679″ carousel_lg=”4″ carousel_md=”3″ carousel_sm=”1″ thumb_size=”four-three” gutter_size=”3″ media_items=”media|nolink|original,icon” carousel_interval=”10000″ carousel_navspeed=”400″ carousel_loop=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″ uncode_shortcode_id=”324246″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-731832″ uncode_shortcode_id=”149885″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”156355″ row_name=”a-zonzo”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”136586″]<\/p>\n

A ZONZO PER LA DOLCE VITA<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”139713″]Three musicians and an actress evoke Nino Rota.
\nAn immersion in the world of the great composer unearthed some ‘chanson’ versions of his vast repertoire for film.
\nAnd so much do we need Cabiria, love and anarchy, dolce vita, angry and withered songs, that we have inconvenienced the Maestro’s immortal notes to take us on a backward road to his foggy places and from his lunar, sentimental and unforgettable characters.[\/vc_column_text][vc_single_image media=”695″ media_width_percent=”100″ uncode_shortcode_id=”429712″][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”656625″ el_class=”info”]<\/p>\n

CAMILLA BARBARITO<\/h3>\n

voice<\/p>\n

FABIO MARCONI<\/h3>\n

guitar<\/p>\n

ALBERTO PEDERNESCHI<\/h3>\n

percussion<\/p>\n

PAOLA TINTINELLI<\/h3>\n

actress[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-731832″ uncode_shortcode_id=”149885″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”472778″ row_name=”meglio-stasera”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”591283″ subheading=”Movie music in 12 sentimental nuances”]<\/p>\n

MEGLIO STASERA CHE DOMANI O MAI<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”148069″]I do not think the term ‘cult’ is excessive when looking at vintage Italian soundtrack production. At least as far as yours truly is concerned.
\nThese sounds are simply pure creativity, born from the inspiration of the broad pantheon of composers of the time and played divinely by an excellent lineage of instrumentalists to transform the two-dimensions of film into a sturm und drang of vibrations pregnant with ever-changing emotions.
\nPalpitating, vivid medium capable of fomenting collective daydreams, cinema is the quintessence of human visionaryness, and its feelings. And music is the fluid sap that feeds and irrigates its ribbing! it is the blink of its optic gaze! it is the very color of its sky! Oh, yes!
\nFilm music leads us, sometimes pushes or even nudges straight into the unspeakable.[\/vc_column_text][vc_single_image media=”698″ media_width_percent=”100″ uncode_shortcode_id=”115317″][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”172824″ el_class=”info”]<\/p>\n

CAMILLA BARBARITO<\/h3>\n

voice<\/p>\n

FABIO MARCONI<\/h3>\n

guitar<\/p>\n

ALBERTO PEDERNESCHI<\/h3>\n

drums<\/p>\n

CARLO NICITA<\/h3>\n

flute<\/p>\n

ARTURO GARRA<\/h3>\n

clarinet<\/p>\n

JIMMY CATAGNOLI<\/h3>\n

alto sax[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-731832″ uncode_shortcode_id=”149885″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”829053″ row_name=”tango-clandestino”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”919712″]<\/p>\n

TANGO CLANDESTINO<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image media=”705″ media_width_percent=”100″ uncode_shortcode_id=”894889″][vc_column_text uncode_shortcode_id=”140276″]An incandescent selection of tangos from Argentina but also from Italy, with Latin and Mediterranean digressions. A taut and compact ensemble defies the curves, lights and shadows of this expressionist repertoire populated with stories to shout and whisper, sometimes rough sometimes velvet.
\nWe indulge in these tales of barrio, of alleys, of gory happenings in the light of a street lamp, with pathos but also with irony, on the trail of border characters and situations with corsair spirit.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”520024″ el_class=”info”]<\/p>\n

CAMILLA BARBARITO<\/h3>\n

voice<\/p>\n

TAZIO FORTE<\/h3>\n

piano<\/p>\n

ELOISA MANERA<\/h3>\n

violin<\/p>\n

FABIO MARCONI<\/h3>\n

Electric guitar[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-731832″ uncode_shortcode_id=”149885″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”196725″ row_name=”simcha-ben”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”136949″]<\/p>\n

SIMCH\u00c0 BEN<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”319792″]Within the wonderful framework of klezmer music and other geographically close musical traditions, a quest to renew this language without losing its founding characters.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”475231″ el_class=”info”]<\/p>\n

ROUBEN VITALI<\/h3>\n

clarinets, alto sax<\/p>\n

FABIO MARCONI<\/h3>\n

electric guitar<\/p>\n

DAVIDE BONETTI<\/h3>\n

accordeon[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”646084″][vc_column width=”1\/1″][vc_gallery el_id=”gallery-147073″ type=”carousel” medias=”731,733,735,737,729,727″ carousel_lg=”4″ carousel_md=”3″ carousel_sm=”1″ thumb_size=”four-three” gutter_size=”3″ media_items=”media|nolink|original,icon” carousel_interval=”10000″ carousel_navspeed=”400″ carousel_loop=”yes” stage_padding=”0″ single_overlay_opacity=”50″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″ uncode_shortcode_id=”109009″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-731832″ uncode_shortcode_id=”149885″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”552436″ row_name=”bublitschi”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”143199″ subheading=”world music from Milano”]<\/p>\n

BUBLITSCHKI BAND<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”156044″]An acoustic quartet that ranges across different musical sonorities.
\nA repertoire of jazz music in its broadest sense, which also includes music with a Mediterranean flavor and a dash of folk traditions.\u2028Meticulous sounds, contaminated and mixed with the urban sounds of their city, Milan.
\nAll seasoned and amalgamated by improvisation, spontaneous creativity and the fellowship that now binds the four musicians from their many years of common experience.[\/vc_column_text][vc_single_image media=”745″ media_width_percent=”100″ uncode_shortcode_id=”721427″][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”504146″ el_class=”info”]<\/p>\n

ELOISA MANERA<\/h3>\n

violin<\/p>\n

FABIO MARCONI<\/h3>\n

7 string guitar<\/p>\n

LUCA RAMPININI<\/h3>\n

sax<\/p>\n

GUIDO BALDONI<\/h3>\n

accordeon[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-731832″ uncode_shortcode_id=”149885″ sep_color_type=”uncode-palette”][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”449598″ row_name=”beato”][vc_column width=”1\/1″][vc_custom_heading uncode_shortcode_id=”171314″ subheading=”Abstractionist Exhibitionist Magazine”]<\/p>\n

BEATO CHI CI CREDE<\/h1>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text uncode_shortcode_id=”723515″]A theatrical-musical project curated by an unprecedented, mind-blowing, animalistic duo formed by Camilla Barbarito, leader of the Milanese rock band Nina Mad\u00f9 and Le Reliquie Commestibili, and Ernesto Tomasini, actor and singer, defined by the international press as a cult figure because of his 4-octave-extension voice and original performance style. Blessed is he who believes it – Abstractist exhibitionist revue is a phantasmagorical variety show, a thousand lights emanating from a single investigative bulb, aimed at the innermost shadows of the human soul. Two daredevil voices twirl on the edge of fate in a dizzying escalation of reckless bisque, and give us songs of unconditional hatred and stories of interested love! At last, an incredible show in which one can believe: Blessed is he who believes![\/vc_column_text][vc_column_text text_lead=”small” uncode_shortcode_id=”117147″]<\/p>\n

\u201cLampi d\u2019umorismo noir attraversano il concerto, illuminato dalla voce polimorfa di due artisti dalle doti canore eccezionali. I testi della Barbarito sono sempre deliranti, politically incorrect, paradossali, ricchi di bisticci semantici. Sono venati di un sarcasmo che esorcizza ogni sentimentalismo di maniera. Tomasini \u00e8 invece una sorta di mago Houdini della voce, un illusionista capace di cantare in uno stesso brano come Pavarotti, Farinelli e Callas. Questo Arturo Brachetti delle corde vocali volteggia tra note e vocalizzi come Jury Chechi in mezzo agli anelli. Ne nasce uno spettacolo a tratti esilarante. Almeno tre pezzi meriterebbero un palcoscenico televisivo, nel solco della tradizione migliore del nostro variet\u00e0.\u201d<\/p><\/blockquote>\n

(Vincenzo Sardelli)<\/em>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text uncode_shortcode_id=”152516″ el_class=”info”]<\/p>\n

ERNESTO TOMMASINI<\/h3>\n

e CAMILLA BARBARITO<\/h3>\n

by and with<\/p>\n

ERNESTO TOMMASINI<\/h3>\n

e CAMILLA BARBARITO<\/h3>\n

lyrics, music<\/p>\n

FABIO MARCONI<\/h3>\n

musician on stage and arrangements<\/p>\n

TEATRO DELLE MOIRE<\/h3>\n

supervision of the scene and the work of the performers[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_gallery el_id=”gallery-147077″ medias=”753,751,749″ gutter_size=”3″ media_items=”media|nolink|original,icon” screen_lg=”1000″ screen_md=”600″ screen_sm=”480″ single_overlay_opacity=”50″ single_overlay_anim=”no” single_image_anim=”no” single_padding=”2″ uncode_shortcode_id=”184645″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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